Art 234
R. Mattison
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#10 – Dada: Art and Anti-Art


Marcel Duchamp (1897 – 1953)

  Marcel DUCHAMP  (1897–1953).

Nude Descending a Staircase.

1912.

Philadelphia Museum of Art.


  Marcel DUCHAMP  (1897–1953).

Bicycle Wheel.

1913.

replica.

New York: Museum of Modern Art.


  Marcel DUCHAMP  (1897–1953).

Bottle Rack.

1914.

replica.

New York: Museum of Modern Art.


  Marcel DUCHAMP  (1897–1953).

Fountain.

1950.

replica of 1917 original.

Philadelphia Museum of Art.


  Marcel DUCHAMP  (1897–1953).

Mona Lisa, LHOOQ.

1919.


  Marcel DUCHAMP  (1897–1953).

Rose Selavy.

1920.


  Marcel DUCHAMP  (1897–1953).

Monte Carlo Bond.

1924.

lithograph with letterpress and pasted photographs.

New York: Museum of Modern Art.


  Marcel DUCHAMP  (1897–1953).

Standard Stoppages.

1914.

New York: Museum of Modern Art.


  Marcel DUCHAMP  (1897–1953).

The Bride Stripped Bare by Her Bachelors, Even.

1915.

left definitively unfinished 1923.

Philadelphia Museum of Art.


Francis Picabia (1879 – 1953)

  Francis PICABIA  (1879–1953).

I See in My Memory Again My Dear Udnie.

1914.

New York: Museum of Modern Art.


  Francis PICABIA  (1879–1953).

Child Carburetor.

1919.

New York: Solomon R. Guggenheim Museum.


  Francis PICABIA  (1879–1953).

This is Alfred Stieglitz.

1915.

New York: Metropolitan Museum of Art.


Man Ray (1890 – 1975)

  Man RAY  (1890–1975).

Gift.

1921.

replica.

New York: Museum of Modern Art.


  Man RAY  (1890–1975).

Indestructable Object.

1932.

New York: Museum of Modern Art.


  Man RAY  (1890–1975).

Enigma of Isidore Ducasse.

1920.

New York: Museum of Modern Art.


Kurt Schwitters (1887 – 1948)

  Kurt SCHWITTERS  (1887–1948).

Blue Bird.

1922.

Private collection.


  Kurt SCHWITTERS  (1887–1948).

Merz Painting.

1920.

Private collection.


  Kurt SCHWITTERS  (1887–1948).

Picture with Light Center.

1918.

New York: Museum of Modern Art.


  Kurt SCHWITTERS  (1887–1948).

Merz Construction.

1921.

Philadelphia Museum of Art.


  Kurt SCHWITTERS  (1887–1948).

Merz House.

1942.

Destroyed.


Jean Arp (1877 – 1966)

  Jean ARP  (1877–1966).

Arranged According to the Laws of Chance.

ca. 1917.

New York: Museum of Modern Art.


  Jean ARP  (1877–1966).

Before My Birth.

1914.

Private collection.


  Jean ARP  (1877–1966).

The Forest.

1916.

Private collection.


  Jean ARP  (1877–1966).

Terrestrial Forms.

1917.

Private collection.


  Jean ARP  (1877–1966).

Mountain, Table, Anchor, Navel.

1925.

New York: Museum of Modern Art.


  Jean ARP  (1877–1966).

Human Concretion.

1931.

stone.

Zurich: Kunsthalle.


George Grosz (1893 – 1958)

  George GROSZ  (1893–1958).

Fit for Active Service.

1918.


  George GROSZ  (1893–1958).

Dedication to Oskar Panizza.

1917–18.

Stuttgart.


  George GROSZ  (1893–1958).

Big City.

1916.

Lugano.


  George GROSZ  (1893–1958).

Republican Automatons.

1920.

New York: Museum of Modern Art.


Hannah Höch (1889 – 1978)

  Hannah HÖCH  (1889–1978).

Collage.

1920.

Private collection.


  Hannah HÖCH  (1889–1978).

Cut with Kitchen Knife.

1919.

Berlin.


 
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